Click anywhere on the image to zoom in. Hold the mouse button down and drag to move around the image, or click the control buttons at the bottom of the image window to zoom in, zoom out or pan around.
Use the button to return to the default view.
Use the button to view full screen (not in Flash version).
Use the navigator in the top left corner to move around the image once zoomed in - just click inside the area highlighted in red and drag with your mouse to the section you'd like to view.
Alternative keyboard shortcuts:
Zoom in = Shift key
Zoom out = CTRL key
Pan left = left arrow key
Pan right = right arrow key
Pan up = up arrow key
Pan down = down arrow key
Reset = ESC key
C Series (C1-C6)
The C series condences ten courts onto six scrolls with Yama and the Wheel-turning King in the fifth and tenth courts respectively still privileged to preside over their own scrolls. With the exception of the first and tenth courts, the actual contents of particular scrolls are not fixed. Like Legos, the tortures, heroes and villains can be snapped together in any combination that fits the spatial dimensions. Thus there is little problem of multiple judges overseeing a common court. In terms of particular composition, compare the lower portions of these scrolls with those of A journey through Chinese hell by Neal Donnelly, pp. 65-105 and Ten kings of Hades: The Vidor collection, pp. 27-49. It is not uncommon for three or four identically composed torture scenes to be replicated in tandem with one another on different sets of scrolls even if other parts of the scrolls radically differ. (Image: 79 X 151 cm.)
Yama
While Yama is clearly the most famous of the hell magistrates, legend has it that he was too lenient and hence demoted to the fifth hell. I would speculate that such a demotion was actually for artistic composition purposes, the fifth and sixth hells being the center of the scroll sets and hence placing Yama roughly at the center of the display.
For other scrolls that clearly share a design history with this one, see the Donnelly catalog (p. 85) and the Vidor catalog (p. 76).