TranslationsMagistrate title: Fifth court - King Senluo (a.k.a. "Yanluo" or "Yama") Couplets to either side of magistrate: Your encountering ghosts and murderous violence here is all just facing the evil of your past. Banner: Leading off to the Western Heaven Document: Reward goodness Appearance in a Taiwanese visit to hellFor a description of Yama from a Taiwanese spiritual medium who had engaged in a series of hell tours between 1976 and 1979, see Voyages to hell, Chapter 31. | |
The Buddhist poet Hanshan from the seventh or eight century warned the living to be wary of Yama, and Robert G. Henricks translates his advice as follows:
In more recent times, Keith Stevens describes Yama’s presence in the Chinese afterlife as follows: Stevens’ description of King Yama as himself not being above karmic law highlights how mechanical the system is, at least within the canonical or "elite" discourse. Unlike Western traditions in which there is often a god over and above creation, here the system is over and above all beings, god-like and otherwise. (In contrast to the canonical discourse, the judges within the more general or "popular" discourse may have much more of their own agency and may even make a lot of mistakes: they are not just anthropomorphized representations of karmic forces.) | |
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A second example of Yama from another hell scroll (F1). | |
A third example of Yama from another hell scroll (S6). | |
A fourth example (dated 1735) of Yama from another hell scroll (S21). | |
Yama as portrayed in the late Qing woodblock text Fengxing jueshi zhenjing 奉行覺世真經 (1882). | |
A woodcut of Yama, the couplets warning that even the greatest of the age can't avoid wuchang or "transcience," their fleeting prosperty nothing more than a solitary springtime dream. From C.A.S. Williams' Outlines of Chinese symbolism, first edition (Peiping: Customs College Press, 1931). | |
King Yama as depicted at Fengdu, the City of Ghosts. | |
Ksitigarbha, Mulian and Yama (from left to right) as depicted at the Dazu Rock Carvings. |